![]() ![]() The curves of a round rug are great for creating the illusion of a wider space. Adding a little magic to the spaces around your home, a round rug can: Round rugs are an interior designer’s secret weapon. The Benefits of Decorating With Round Rugs You don’t have to choose a round dining table and chairs to match the shape of the rug the most important thing is to make sure that the circle rug is big enough to accommodate your furniture comfortably, even when you pull the chairs back to sit down. A large round rug can help you define a dining zone within the space. ![]() In today’s open-plan homes, the kitchen often does double duty as a dining area. You can choose to center a large rug in the middle of the room or use a smaller rug to transform an odd corner of the room by adding texture and interest. The key is to work with the space available. Here’s how to style them to their best advantage.Ī round rug makes a wonderful focal point for your living room, particularly if you choose one in a bold colour or with an eye-catching pattern that picks up some of the colours in the rest of the room. While round carpets make a chic addition to any kind of space, from hallways to bedroom reading nooks, they can make a real impact in heavily used areas like your living room and kitchen. It’s important to leave some floor space around your rug, however, so choose a space where it can be properly displayed without being squished up against the wall. The perfect curve of a round carpet will bring warmth and softness to any room in your home. Unlike rectangular rugs, which are measured by their length and width, circle rugs are sized according to their diameter – a straight line through the center of the circle from one outside edge to another. This is one of many examples of how he broke free from conventional working methods and found his inspiration in art.What Are Round Rugs and Where Are They Used?Īs the name suggests, round rugs are distinguished by their circular shape. ![]() He eventually became known for his special ability to separate the bearing parts from the borne. In creating his furniture, Finn Juhl worked with two elements: The carrying element, and the carried. In some of his chairs, the backrest and the seat are almost invisibly joined, as if they were clouds floating through the room. Juhl took pride in making both the structurally supportive elements of the furniture and the seated person look as though they are floating. His ambition was to design furniture with movement and life. In the 1940s and 1950s, this way of working had never been seen before. Rather than thinking in terms of practical construction, Finn Juhl had the mind-set of a sculptor, when he shaped a piece of furniture. His modern offices in central Copenhagen was greeting his visitors with a huge Japanese fish in paper, symbol of imagination. Finn Juhl started his studies in 1930, a key period which saw the birth of modern design and furniture. His style owes much to this singular trajectory, with its non academic interpretation of art visible in his work. Later, when his fame as a designer of furniture acquired, he speaks of himself as an autodidact, in reference to this upset vocation that forced him to walk intellectually on a lonely way. His father stopped him and Finn Juhl started architectural studies. As a teenager, Finn Juhl (1912-1989) wanted to become an art historian, having a passion for the fine arts since childhood. ![]()
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